1672 BLAEU, J. - Title page from a Spanish text edition of the Atlas Major, heightened in gold.
[Title page to] Atlas mayor, o geographia Blaviana : Que contiene las cartas, y descripciones de Partes Orientales de Europa.
| Maker: | BLAEU, J. | |
| Date: | Amsterdam, c.1672 | |
| Colored: | In attractive original colors. | |
| Size: | 398 x 267 mm / 15.7 x 10.5 inches | |
| Condition: | Paper slightly age-toned. Heightened with gold. Generally in good condition. | |
-This item is available for immediate sale
$700 / ≈ €625
Description
Title page from a Spanish text edition of the Atlas Major. Ionic portico with celestial and terrestrial globes. To the left, Ptolemy holds a sphere and a pair of compasses. Marinus holds a map on the right. The design is copied from the title page of Mercator's 1578 edition of Ptolemy. A label with Spanish text has been pasted in the center panel.
Learn more about maps in exceptional colors [+]
The atlas Major was printed only in small numbers; the Spanish-text edition is scarce. The Spanish edition was never completed. When fire destroyed the Blaeu printing house at the Gravenstraat in Amsterdam in 1672, the final volume was in the press and consequently lost.
The Atlas Maior epitomizes decades of achievement by the Blaeu family. Published in five languages (Latin, Dutch, French, German and Spanish) from 1662, it grew to eleven or twelve volumes in its most comprehensive editions, and was as Koeman observes a "costly atlas . . . Exclusively designed for those members of the patriciate who could command both the material and intellectual resources that were needed to buy and appreciate it". Joan's father, Willem Blaeu, began publishing his new world atlas, the Theatrum Orbis Terrarum, also called the Atlas Novus, initially in two volumes and in four languages. After succeeding his father, Joan Blaeu progressively expanded the Atlas Novus to six volumes by 1655, and this formed the first half the Atlas Maior.
The rare Spanish edition of the Atlas Maior occupies an extraordinary place within the Blaeu epic. Unlike editions in other languages, its volumes were printed serially over fifteen years, in more limited quantities, with different titles, and without numbers. The project began with the decision to produce the Spanish Atlas Nuevo, with the volume relating to Scotland first published in 1657, and the one on China the following year.
In 1659 the volumes relating to Northern Europe, Eastern Europe and England were produced, along with second editions of the two volumes already published. Even before Joan Blaeu prepared to publish the Atlas Maior in other languages, he decided to turn the extant volumes of the Atlas Nuevo into the first five volumes of the Atlas Maior. The long production process meant variations in title and imprint, as well as in the collation of specific volumes.
The volume on Spain was the last to be printed before a fire broke out in Blaeu's Gravenstraat workshop on the night of 22-23 February, 1672. It destroyed many of the original copper plates and printed sheets for the Atlas Mayor, and led to the production of the projected eleventh volume, relating to Asia, Africa and America, being abandoned.
The Atlas Maior (the Spanish edition of the Atlas Maior) is the rarest edition of what De la Fontaine Verwey called "the greatest and finest atlas ever published". Van der Krogt locates only four institutional copies, printed in 1672 or earlier, with at least this degree of completeness. According to ABPC, only three copies have appeared at auction in the last thirty years.
Koeman I, BL 60A (pp. 271-291), cf. A. Berkhemer, 'De Spaanse Atlas Mayor van Blaeu: nieuwe gegevens', in Caert-Thresoor 16 (1997) 3, pp. 71-76, H. De la Fontaine Verwey, The 'Spanish Blaeu,' in Quaerendo 11 (1981), pp. 83-94.
More about Joan Blaeu and his Atlas Maior
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Learn more about maps in exceptional colorsÂ
Nicolas de Fer (1646 -1720)
de Fer was a French cartographer and geographer. He was also an engraver and publisher. His work prioritized quantity over quality; it often contained geographical errors and leaned more toward art than accuracy. De Fer was the youngest of three sons of Antoine de Fer, a cartographer. At 12, he apprenticed under Parisian engraver Louis Spirinx and made his first map of the Canal du Midi at 23. After his father's death in June 1673, his mother, Geneviève, initially took over the map-making company, which had begun to decline. She passed it and the atelier, called Quai de L'Horloge, on to Nicolas in 1687 because of her old age.
He is known for producing over 600 very maps.  The beauty of his maps was enough to get Nicolas de Fer a royal appointment as the geographer for the French Dauphin, the Duke of Anjou.
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