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Jerusalem die vernaamste van alle steden... / Jerusalem die Heijlighe Stadt van God. . . |
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$5000 / ≈ €4214This item is available for immediate sale! Questions before Buying ?
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Description
Very rare separately published plan of Jerusalem, engraved by Joannes van Doetecum Jr., Variant to Poortman, Kaarten in Bijbels, map 64. In the lower part, the copper plate has been shortened by about one centimeter.To the sides are letterpress texts. The left a key (A - D, 1-37) and to the right a 65 lines description of the town.
The Van Doetecum brothers had developed a special technique of etching, so closely resembling the quality of engraving that their prints have been frequently described as engravings. Contemporaries most valued their technique through which the Van Doetecums were able, with a minimum of effort, to imitate engraving and to produce a smooth gradation of tone.
Jan van Doetichum was active between 1592 and 1630.
Until recent times, art historians paid little attention to the brothers, who were considered ‘reproduction engravers’; however, since the studies of Oberhuber, Mielke, and Riggs, they are now recognized as original and important graphic artists.After Lucas's death in the early eighteenth century, Jan returned to the northern Netherlands, where he worked alongside his sons, Jan the Younger and Baptista. Jan engraved important maps, such as the sea charts for Lucas Waghenaer’s Spieghel and Thresoor der Zeevaert and the maps after Petrus Plancius (1592), which were so important to the Dutch explorers.
The Van Doetecum family also made the illustrations for the famous itineraries of Gerrit de Veer and Olivier van Noort.
Moreover, the Van Doetecums built up their important stock of maps, history prints and art prints. In his native town of Deventer, Jan created some fascinating anti-Catholic prints.
Reference: Not in Laor.
To the sides are letterpress texts. The left a key (A - D, 1-37) and to the right a 65 lines description of the town.
Reference: Not in Laor.
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Color Key
We offer many maps in their original black and white condition. We do not systematically color-up maps to make them more sellable to the general public or buyer.
Copper engraved or wood block maps are always hand colored. Maps were initially colored for aesthetic reasons and to improve readability. Nowadays, it is becoming a challenge to find maps in their original colors and are therefor more valuable.
We use the following color keys in our catalog:
Original colors; mean that the colors have been applied around the time the map was issued.
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