Pierpont's distillery on Long Island. |
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Description
Milbert's topographical prints are an eyewitness record of life in America in the early 19th century
Decorative print after Jacques Milbert, and lithographed by Sabatier and the figures by Victor Adam. From: Amérique Septentrionale. Printed by E.Ardit, Rue Vivienne, Paris.
An outstanding view from Milbert's Itinéraire pittoresque du fleuve Hudson et des parties latérales de l'Amérique du Nord
Milbert arrived in the United States in 1815, with the backing of the Museum of Natural History in Paris, and was instructed to explore, record, and collect as much information as possible about the topography, social history, and flora and fauna of the country's northeast. The task took him seven years, and in addition to the 8,000 natural history specimens he sent back to France, he made a series of highly significant sketches of the areas he traveled.
The present image, an important early example of lithography for topographical prints, is part of this eye-witness record of life in America in the early 19th century, which forms the most comprehensive and accurate depiction of the country at the time.
As an artist, Milbert loved to paint American landscapes, particularly those that showed the Hudson, "King of Rivers," flowing majestically through the mountains... the pictures of what he saw, as of the time he drew them, constitute a unique and valuable record' (Sherman, A French Explorer in the Hudson Valley).
Read more about Jacques Milbert
Reference: Deak p.299, Howes M-592, Ray French 110, Sabin 48916.
Milbert's topographical prints are an eyewitness record of life in America in the early 19th century
Decorative print after Jacques Milbert, and lithographed by Sabatier and the figures by Victor Adam. From: Amérique Septentrionale. Printed by E.Ardit, Rue Vivienne, Paris.
An outstanding view from Milbert's Itinéraire pittoresque du fleuve Hudson et des parties latérales de l'Amérique du Nord
Milbert arrived in the United States in 1815, with the backing of the Museum of Natural History in Paris, and was instructed to explore, record, and collect as much information as possible about the topography, social history, and flora and fauna of the country's northeast. The task took him seven years, and in addition to the 8,000 natural history specimens he sent back to France, he made a series of highly significant sketches of the areas he traveled.
The present image, an important early example of lithography for topographical prints, is part of this eye-witness record of life in America in the early 19th century, which forms the most comprehensive and accurate depiction of the country at the time.
As an artist, Milbert loved to paint American landscapes, particularly those that showed the Hudson, "King of Rivers," flowing majestically through the mountains... the pictures of what he saw, as of the time he drew them, constitute a unique and valuable record' (Sherman, A French Explorer in the Hudson Valley).
Read more about Jacques Milbert
Reference: Deak p.299, Howes M-592, Ray French 110, Sabin 48916.
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