Lot #: 48275

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[Lot of 25 leaves of Africa and Egypt]

Maker / Publisher:		MÜNSTER, S.
Place & Date:		Basel, 1552
Colored:		Uncolored.
Size:		300 x 200 mm / 11.8 x 7.9 inches
Condition:		Woodblock prints with letter press. Browning in upper left corner.

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Description

Twenty-five text leaves with wood block illustrations relating to Africa and Egypt illustrated with maps, animals, plants.... From the 1552 Latin text edition of Münster's Cosmographia, which is a short and complete summary of Renaissance knowledge.

Sebastian Münster was born in Nierder-Ingelheim, near Mainz on 20th January 1488, the son of Andreas Münster. In 1505, he joined the Franciscan Order, and four years later was sent to the monastery of St. Katherina in Rufach. There he studied under Konrad Pelikan, who was to have great influence over the young man in the next five years. Pelikan was a teacher of Hebrew, Greek, mathematics and cosmography.

In 1529 Münster settled in Basle, where he was to spend the rest of his life. In 1540, Munster's edition of Ptolemy appeared, illustrated with 48 woodcut maps, the standard Ptolemaic corpus supplemented by a number of new maps, of great significance for the mapping of Europe.

Having completed the Geographia, Münster returned to his pet project, the description of Germany. In 1544, he published the first edition of the Cosmographia, a summary both of Münster's own geographical researches and those of his many correspondents. The Cosmographia, with its later expanded editions, was as close as Munster would come to fulfilling the vision of 1528.

The Cosmographia was very much in the illustrative tradition of the Hartmann Schedel's Nuremberg Chronicle, bringing together many of the modern maps from the Geographia, additional maps that had come to him in the intervening years, as well as several hundred woodcuts printed set in the text. Again, the Cosmographia was frequently reprinted. For the 1550 edition additions included a large number of town prospects.

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We offer many maps in their original black and white condition. We do not systematically color-up maps to make them more sellable to the general public or buyer.
Copper engraved or wood block maps are always hand colored. Maps were initially colored for aesthetic reasons and to improve readability. Nowadays, it is becoming a challenge to find maps in their original colors and are therefor more valuable.
We use the following color keys in our catalog:
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Original o/l colors; means the map has only the borders colored at the time of publication.
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