Enquête sur l'état de la civilisation en Europe. (Front page of la Caricature n°140). |
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Description
The artist is A. Robida, who was the chief editor and the engraver is Yves Barret
La Caricature was a satirical journal that was published in Paris, France, between 1880 and 1904. It had a lively and colorful layout, and made full use of the newly invented photogravure technology.
La Caricature covered the theater, news events, gossip and topical subjects such as the vote for women or seaside vacations. The founding editor, Albert Robida, left in 1892. The journal began to decline in quality, went through various changes of ownership and management, and eventually was merged with a rival tabloid.
The founding editor was Albert Robida (1848–1926). The title recalled the earlier La Caricature (1830–1843) founded by Charles Philipon, which portrayed Louis Philippe as a pear, and which included works by the great Honoré Daumier. The new Caricature was less politically engaged than its predecessor, focusing more on caricature of the manners of the age.
The first issue appeared on 3 January 1880, heralding a break from the oppressive morality of the regime that had followed the fall of the Paris Commune in 1871. However, La Caricature appeared before the act of 29 July 1881 gave much greater freedom to the press. The masthead of La Caricature was classic in design, at first showing Albert Robida as editor, and La Librairie illustrée as publisher. The journal appeared every Friday.
Reference: Brandeis Institutional Repository 10192/1333
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