De Zee-Atlas Ofte Water-Weereld

(The FIRST EDITION of Pieter Goos : De Zee-Atlas Ofte Water-Weereld, Waer in vertoont werden alle de Zee-Kusten Van het bekende des Aerd-Bodems. Seer dienstigh voor alle Heeren en Kooplieden, Als oock voor alle Schippers en Stuurlieden. Gesneden, gedruckt en uytgegeven t’Amsterdam, [The Sea Atlas of the Water World], published in 1666. All 41 double-page engraved charts in dramatic original color, highlighted in gold, and printed on VERY THICK PLY-PAPER.(Covers paneled with large corner arabesques, large tool of Atlas carrying the world in the center, spine gilt in compartments, each compartment with central rose tool.

sold

After a dramatic title page, the atlas presents an impressive double-hemisphere world map, with symbolic representations, along the bottom margin, of the seasons and the stages of life, from Spring to Winter and youth to old age.
At the top margin of the map, a goose flies toward the sun, a play on the mapmaker's name.
Notice the Dutch touches: tulips at the lower left and ice skaters at the lower right, behind Winter, who is smoking a pipe.
The map includes insets of the North and South Pole, the empty South Pole region just titled Australis Incognita. The continent of Australia, named Hollandia Nova, includes the southern tip of Tasmania as charted by Abel Tasman. The Northwestern portion of North America is not charted and California is drawn as an island.

The present example contains 41 charts, the extra chart being the ‘Paskaerte van de Zuydten Noordt Revier in Nieu Nederlant’ (picture 35). Larger than the other charts in the atlases, Burden states that it was probably published separately and included as a supplement upon request.
The finely engraved chart details the East Coast of America from New Amsterdam (New York) to the Delaware River.

Prof. Koeman in Atlantes Neerlandici lists 10 other copies of the first Dutch text edition in institutional collections :
Rotterdam Maritime Museum, Netherlands
Amsterdam Maritime Museum, Netherlands
State Archive The Hague, Netherlands
British Museum, London, England < br> Bibliothèque Nationale, Paris
Maritime Museum Groningen, Netherlands
Royal Library, Brussels, Belgium
Royal Library Copenhagen, Denmark
Library of Congress, Washington, USA
Huntington Library, LA, USA


First owner's traces
This luxury copy of Goos' Zee Atlas on large and heavy paper in its original gold-stamped vellum binding has a de-luxe coloring with lavish and very able use of gold in legends, cartouches and schutcheons.
The binding is signed by the proud owner on both sides in a fine though somewhat vague contemporary hand, and reads as 'holbandt' or 'hoflandt'. Archival research showed that, at least in Amsterdam, the name 'holbandt' never occurs, unlike 'hoflandt'.
An advertisement in the Haarlemmer Courant matches this name, announcing the book auction of the collection of the late Pieter Hoflandt, an Amsterdam painter who remained unknown till this date.
The auction was held by the widow of Arnout Leers in Rotterdam in October 1677. The catalog of this auction has not been recovered yet.
It might give the answer if Pieter Hoflandt was the first owner of this outstanding copy of Goos' Zee Atlas.

The coloring
The coloring of the atlas is remarkably expressive and rich in pigments, more so than is usual in this atlas. Most often, colored copies of Goos Zee Atlas are held in a very light and transparent tone, even somewhat bleak, probably to make not too much or too heavy a contrast with the large and often blank sea-surfaces of the maps, and to adapt the style of the somewhat loose and open engraved decorations.

By treating not only all decorations with firm colors in an accurate hand but also the borderlines, which sometimes are accentuated with a bright opaque orange over transparent rosa, a new, expressive and rich balance has been created, which is reinforced by the large quantities of gold, precisely applied in the cartouches and coats of arms.
This combination of effective and experienced use of gold and bold colors with much red, orange and bluish green, contrasted with brown, dark-red and green, as for example on the world map, betrays the work of an experienced colorist.

David Reerigh
It especially brings to mind the work of master-colorist David Reerigh ( 1628 - after 1695). Reerigh was active in Amsterdam during the second half of the 17th century for over forty years.
His work equals that of master-colorists such as Frans Koerten, Jan Dirksz. Zoutman and Dirk Jansz. van Santen.
His specialty was the coloring of large wall maps or map books made up of these, as archival documents revealed.
Only recently were some beautiful works of his hand rediscovered, one of which is signed. This is most unusual as colorists, seen more as craftsmen than as artists, rarely signed their works. < br> Reerigh's most important works are from 1647 and 1688. The signed copy, a wall map bound as an atlas in 40 leaves of the county of Holland by Jacob Colom of 1647 in de-luxe coloring and heightened with gold and silver, and preserved in its original binding, is his earliest known work.

It may be concluded that Reerigh's talent as a colorist was early recognized, as he was only nineteen when he was commissioned this work - no doubt by high regional authorities. His latest known works are the de-luxe copies he made of the large wall map of Rijnland from 1687/8, commissioned by the board of dyke reeves. Four of these maps, colored by Reerigh, have been preserved again as separate leaves in atlases, and one copy still exists as a mounted wall map.

Apart from these large commissions, Reerigh did the coloring of atlases, town books, books on natural history, and coats of arms. Apart from this, he was commissioned to restore or correct maps. He was regularly employed by Amsterdam regents such as Pieter de Graeff. In later life he was assisted by his son Alexander.

Where Reerigh's first work from 1647 is very refined and transparent in colors and gold, and somewhat carefully even in tone, his later work is much more expressive en lavish in the use of bold colors, with a preference for blue-green, red and orange. It is precisely this development, and the preferred use of the above-mentioned colors and color combinations, that matches the skilled coloring of this de-luxe copy of Goos's Zee-Atlas.
On these stylistic grounds the coloring might be ascribed to David Reerigh. More details about Reerigh's life can be found in archival documents. Born in Opperingelheim, Germany, he came to Amsterdam as a map colorist. In 1652 he married the Amsterdam girl Hilletje Lucas.
They got a son Alexander in 1656, who became like his father a colorist and afterwards 'konstverkoper', that is a seller of prints and paintings.
In 1675 and 1677 they were mentioned together as colorists of the first copies of the large map of Delft, in commission by the Delft city council. The date of David Reerigh's death is not certain. In any case, this was after 1695, because in that year he remarried, at the age of 67, with the Amsterdam widow Wybrich Hendricx. As research on David Reerigh as a colorist has only recently begun, more details on his life and more indications and specimens of his works will most probably come to light.

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